1 00:00:01,120 --> 00:00:05,560 SNIP NOT NEAR ITALIAN PRODUCTION 2 00:00:11,920 --> 00:00:13,600 I don't understand the problem. 3 00:00:15,000 --> 00:00:16,760 Corinna can play the bleeding woman don't play. 4 00:00:16,840 --> 00:00:17,880 Why? 5 00:00:17,960 --> 00:00:21,320 She wants the 300,000 back, which she invested in Genghis Khan. 6 00:00:23,120 --> 00:00:24,160 GENGHIS KHAN 7 00:00:24,240 --> 00:00:27,520 You do realize that the platform an actress never 8 00:00:27,600 --> 00:00:31,720 Will pay 300,000 euros for one day. 9 00:00:32,120 --> 00:00:33,200 -Not? -No. 10 00:00:33,720 --> 00:00:36,040 And you want to work for the platform, right? 11 00:00:36,120 --> 00:00:38,560 Yes, Diego, but Corinna can't play Maria. 12 00:00:38,640 --> 00:00:41,240 It would harm the project. 13 00:00:41,320 --> 00:00:42,920 It's Corinna! Hey... 14 00:00:48,040 --> 00:00:49,960 When is Maria's scene coming up? On Monday, right? 15 00:00:50,040 --> 00:00:52,440 Yes, we're shooting on Monday the wedding at Cana... 16 00:00:53,800 --> 00:00:55,680 Let's do it like this "The girl and the captain." 17 00:00:59,400 --> 00:01:01,520 That's why I wanted you as director, René… 18 00:01:02,600 --> 00:01:07,160 Because you have the ability to be half artist and half crook. 19 00:01:15,760 --> 00:01:17,400 RENÉ THE DIRECTOR 20 00:01:19,320 --> 00:01:20,600 ACTRESS/PRODUCER 21 00:01:20,680 --> 00:01:22,000 ACTOR/PRODUCER 22 00:01:23,160 --> 00:01:24,920 DIRECTOR OF THE SECOND UNIT 23 00:01:25,520 --> 00:01:27,240 DUCCIO CAMERAMAN 24 00:01:28,240 --> 00:01:29,680 FABIO - ASSISTANT ARIANNA - ASSISTANT 25 00:01:29,760 --> 00:01:31,080 ALESSANDRO - MANAGER LALLA - ASSISTANT 26 00:01:32,600 --> 00:01:33,840 THE SCREENPLAYS 27 00:01:36,720 --> 00:01:38,760 DIEGO - EXECUTIVE PRODUCER SERGIO - CO-PRODUCER 28 00:01:43,280 --> 00:01:44,560 NUSCHLER THE GUARDIAN 29 00:02:03,760 --> 00:02:07,280 Stanis, We're starting to have some money problems. 30 00:02:07,920 --> 00:02:08,920 What does this mean? 31 00:02:09,000 --> 00:02:13,720 You know, my cousin Michael likes to support Italian art, 32 00:02:13,800 --> 00:02:17,840 But if there's one thing he can't stand, it's that the words “Repayment not guaranteed.” 33 00:02:18,680 --> 00:02:22,440 you know what kind of person is my cousin? 34 00:02:22,520 --> 00:02:25,800 Of course I know that. He's a hillbilly. 35 00:02:26,160 --> 00:02:27,480 -No… -Yes. 36 00:02:28,120 --> 00:02:29,240 No, I'll say it again. 37 00:02:29,320 --> 00:02:31,600 You don't understand what kind of person my cousin is... 38 00:02:31,680 --> 00:02:34,400 Tell the hillbilly he should relax. 39 00:02:34,480 --> 00:02:36,120 Say I put pressure on the authors 40 00:02:36,200 --> 00:02:38,000 and in just a few hours it will be finished. 41 00:02:39,080 --> 00:02:40,520 Not “graduation.” He doesn't get it. 42 00:02:40,680 --> 00:02:43,400 Just say "script approval." 43 00:02:43,480 --> 00:02:46,000 That means money, a lot of money. 44 00:02:46,080 --> 00:02:47,640 Maybe he understands that. 45 00:02:49,480 --> 00:02:51,120 He didn't understand anything. 46 00:02:53,400 --> 00:02:55,480 Okay, listen, I'll tell you something. We'll catch up. 47 00:02:55,560 --> 00:02:57,560 -Come on, Alessandro. -Okay, bye. 48 00:02:57,640 --> 00:02:59,800 -How did it go? -Hi, Alessandro. This won't go through. 49 00:03:00,440 --> 00:03:03,520 I'm sorry, Alessandro. How do you find it? the title "Have You Seen?" 50 00:03:03,600 --> 00:03:05,360 -Sounds good. -Not bad, huh? 51 00:03:05,440 --> 00:03:07,640 He doesn't like him, because it's about a blind man. 52 00:03:07,720 --> 00:03:09,080 He doesn't like him. 53 00:03:09,560 --> 00:03:10,560 Okay, well... 54 00:03:13,240 --> 00:03:16,480 Nice new office, huh? Very serious. 55 00:03:16,560 --> 00:03:19,800 This is the Umberto Eco Room. We only use this for calls. 56 00:03:21,200 --> 00:03:22,920 Nice, right? We work in there. 57 00:03:24,160 --> 00:03:25,160 Come on. 58 00:03:29,960 --> 00:03:34,400 You say if we don't have a teen story have, is there no degree? 59 00:03:34,480 --> 00:03:36,880 I didn't say that there is no closure. 60 00:03:37,040 --> 00:03:39,920 I say if we have the one thing, it's easier to get the other one. 61 00:03:40,000 --> 00:03:42,120 For Allison, it's almost a mantra. 62 00:03:42,200 --> 00:03:46,440 She always asks the same thing: Is there? a teen story? A story about kids? 63 00:03:46,520 --> 00:03:49,960 Yes, but in this case that doesn't make any sense. 64 00:03:50,040 --> 00:03:52,360 If you talk about Jesus as a 13-year-old, 65 00:03:52,440 --> 00:03:53,680 if you mess it up, 66 00:03:53,760 --> 00:03:55,800 because one tells without surprising, 67 00:03:55,880 --> 00:03:58,080 and our job is to surprise. 68 00:03:58,160 --> 00:04:00,760 The interesting thing about Jesus is that he was 30 69 00:04:00,840 --> 00:04:02,920 goes crazy and changed history. 70 00:04:03,000 --> 00:04:04,880 Just like that, without warning, because… 71 00:04:05,200 --> 00:04:07,680 If you explain it, you spoil everything. 72 00:04:07,760 --> 00:04:09,680 Cause and effect are annoying. 73 00:04:09,760 --> 00:04:12,960 "What rubbish. You bullied me? Then I will be the Messiah!" 74 00:04:13,040 --> 00:04:14,240 -Doesn't work. -Exactly. 75 00:04:14,320 --> 00:04:17,560 I'm just telling you what I do I learned from them over the months. 76 00:04:20,320 --> 00:04:21,920 A voice message from Stanis. 77 00:04:23,000 --> 00:04:25,600 Alessandro asks you, to write a fetishistic Judas, 78 00:04:25,680 --> 00:04:27,000 then you do that! 79 00:04:27,120 --> 00:04:31,160 He asks you for a Mary Magdalene with stump, give it to him! 80 00:04:32,920 --> 00:04:37,000 I would become a fetishistic Judas prefer a teen story. 81 00:04:38,680 --> 00:04:39,840 It's probably a dead end. 82 00:04:40,520 --> 00:04:41,520 Go! 83 00:04:42,440 --> 00:04:43,840 We're shooting! 84 00:04:43,920 --> 00:04:45,800 -Don Michele… -Camera is running. 85 00:04:45,880 --> 00:04:48,040 -249, one, the third. -Flap! 86 00:04:49,760 --> 00:04:51,440 And… action! 87 00:05:05,400 --> 00:05:07,080 But where is he looking? 88 00:05:10,400 --> 00:05:12,680 Cut! Excellent! 89 00:05:12,800 --> 00:05:14,400 We have arrived in Cana. 90 00:05:14,480 --> 00:05:18,200 René, I'm going to Corinna. Should I tell her something? 91 00:05:18,880 --> 00:05:19,920 No why? 92 00:05:21,600 --> 00:05:24,200 Listen. You pushed me. 93 00:05:24,280 --> 00:05:26,800 -Yes, very believable. -How was I? Credible? 94 00:05:26,880 --> 00:05:28,720 You're very pretty. 95 00:05:28,800 --> 00:05:29,800 Thanks. 96 00:05:29,880 --> 00:05:31,200 Can I get your number? 97 00:05:31,280 --> 00:05:32,720 It's on the shooting schedule. 98 00:05:32,800 --> 00:05:35,560 I've already saved it and took a photo. 99 00:05:47,680 --> 00:05:48,840 In! 100 00:05:54,840 --> 00:05:57,360 -Apply a little more. Not so stingy. -Clear. 101 00:05:57,440 --> 00:05:59,640 Corinna, do you remember what we said about René? 102 00:05:59,720 --> 00:06:02,960 Justifiably so we came to the realization 103 00:06:03,040 --> 00:06:05,960 that the role of Mary shouldn't wear so much makeup. 104 00:06:06,040 --> 00:06:08,240 You just didn't do proper research. But I do. 105 00:06:08,320 --> 00:06:10,240 -She's going to Cannes... -To Cana. 106 00:06:10,320 --> 00:06:11,520 Yes, she's going to a wedding. 107 00:06:11,640 --> 00:06:13,000 Then she would put on make-up. 108 00:06:13,080 --> 00:06:14,160 There was already make-up back then. 109 00:06:14,240 --> 00:06:16,480 Yes, I did research and people wore makeup back then. 110 00:06:16,560 --> 00:06:17,600 Do you see? 111 00:06:19,960 --> 00:06:25,400 I heard Fabio came this morning at 5:30 a.m. as you requested, 112 00:06:25,480 --> 00:06:27,280 but you didn't finish until 8:00. 113 00:06:27,360 --> 00:06:30,160 Should he continue to see you? pick up at 5:30am? 114 00:06:30,880 --> 00:06:31,880 Did he complain? 115 00:06:32,720 --> 00:06:34,880 No, he didn't. 116 00:06:34,960 --> 00:06:36,560 I'm just asking for practical reasons, 117 00:06:36,640 --> 00:06:39,640 because he was someone else before you could pick up. 118 00:06:39,720 --> 00:06:41,720 Plus it would save money. 119 00:06:41,800 --> 00:06:43,080 No, it stays at 5:30. 120 00:06:43,760 --> 00:06:46,760 I decide when I come out. I decide when it starts. 121 00:06:49,120 --> 00:06:50,120 Naturally. 122 00:06:53,120 --> 00:06:55,120 You don't get it, you little... Come here! 123 00:06:55,200 --> 00:06:57,600 I already said three times you should move the stands. 124 00:06:57,680 --> 00:07:00,440 Aren't you afraid of it? that I hurt you? But... 125 00:07:01,840 --> 00:07:06,320 Maybe it is no big deal at all. No worries. 126 00:07:06,400 --> 00:07:08,320 Do you the behind-the-scenes shots? 127 00:07:08,560 --> 00:07:12,360 Yes, but don't let it bother you. Just do your job. 128 00:07:12,440 --> 00:07:13,520 Oh thank you. 129 00:07:14,640 --> 00:07:17,440 Dear Nando, Would you please be so kind and bring it to me 130 00:07:17,520 --> 00:07:22,080 the tripods I asked about earlier? And before that too 131 00:07:22,160 --> 00:07:26,080 and even before that? For heaven's sake! 132 00:07:28,280 --> 00:07:32,360 This is Augusto Nuschler, the gaffer. Do you want to say something? 133 00:07:32,440 --> 00:07:36,240 I'm sorry. I prefer to remain silent. 134 00:07:37,360 --> 00:07:40,840 My colleagues and I are shy. 135 00:07:41,840 --> 00:07:45,080 We are not actors. 136 00:07:45,160 --> 00:07:48,760 Please turn this thing off. 137 00:07:49,680 --> 00:07:51,560 "Hey, you idiot!" Do you understand? 138 00:07:53,240 --> 00:07:57,040 We're just playing it. We insult each other. 139 00:07:57,920 --> 00:08:01,440 Now say something to me. That's how we do it. 140 00:08:02,040 --> 00:08:03,080 Idiot! 141 00:08:05,640 --> 00:08:09,240 Hey, dear Nando, don't worry about the tripods. 142 00:08:09,320 --> 00:08:11,240 I'll get them myself, 143 00:08:11,320 --> 00:08:14,000 but do me a favor and go there, 144 00:08:14,080 --> 00:08:18,520 where they shove them in your back door, yes? 145 00:08:19,800 --> 00:08:22,400 Nuschler is behaving strangely. 146 00:08:23,080 --> 00:08:26,520 The rules of conduct, remember? 147 00:08:26,600 --> 00:08:27,600 No. 148 00:08:27,680 --> 00:08:29,360 Respect for subordinates. 149 00:08:29,440 --> 00:08:31,280 Oh, yes, respect for subordinates. 150 00:08:31,360 --> 00:08:32,960 Yes, but that doesn't apply to us. 151 00:08:33,040 --> 00:08:35,560 Come on, get me a coffee, you idiot. 152 00:08:38,640 --> 00:08:40,880 Corinna wants to meet later chat with us. 153 00:08:42,720 --> 00:08:46,960 I know. She wants the lighting discuss for Maria. 154 00:08:47,040 --> 00:08:49,440 Please leave me alone. 155 00:08:49,560 --> 00:08:51,120 It's normal for an actress 156 00:08:51,200 --> 00:08:53,680 the camera work want to discuss with the cameraman. 157 00:08:54,280 --> 00:08:57,760 Do you know how many actresses have you already annoyed me? 158 00:08:57,840 --> 00:09:00,560 "Light me from the side." "That's my best side." 159 00:09:00,640 --> 00:09:04,000 Just fuck off. Corinna has no idea anyway. 160 00:09:05,800 --> 00:09:06,760 From what? 161 00:09:14,040 --> 00:09:15,880 Lick me! Get me my coffee. 162 00:09:21,960 --> 00:09:24,160 You do it like in “The Girl and the Captain,” right? 163 00:09:26,240 --> 00:09:29,200 We take two shitty close-ups, Duccio messes up the lighting, 164 00:09:29,280 --> 00:09:30,680 then we send it to the platform. 165 00:09:30,760 --> 00:09:32,760 They think they're shit but they wanted it that way. 166 00:09:34,000 --> 00:09:35,560 I love you, Arianna. 167 00:09:35,640 --> 00:09:37,800 All today's recordings, except Corinna's, must be good. 168 00:09:37,880 --> 00:09:40,000 We can have the wedding at Cana don't turn again. 169 00:09:40,080 --> 00:09:41,080 Understood? 170 00:09:41,160 --> 00:09:44,720 We only leave the close-ups the new Maria away. 171 00:09:44,920 --> 00:09:45,760 Yes. 172 00:09:50,720 --> 00:09:54,080 She wants the story of Jesus' youth? Please. 173 00:09:54,480 --> 00:09:56,480 A 13 year old Jesus, the one in the temple by the sons 174 00:09:56,560 --> 00:09:58,680 the high priest is bullied. 175 00:09:58,760 --> 00:10:01,480 But in the meantime he secretly learns martial arts. 176 00:10:01,560 --> 00:10:03,280 "Fear doesn't exist in the High Council, right?" 177 00:10:03,360 --> 00:10:04,200 No, Rabbi! 178 00:10:05,720 --> 00:10:06,560 What's that supposed to mean? 179 00:10:06,800 --> 00:10:09,120 Jesus has himself in love with Mary Magdalene, 180 00:10:09,200 --> 00:10:10,240 but she is extroverted, 181 00:10:10,320 --> 00:10:11,880 the high school prom queen. 182 00:10:11,960 --> 00:10:13,520 What are you talking about? Which high school? 183 00:10:13,600 --> 00:10:15,000 But that's just a facade, 184 00:10:15,080 --> 00:10:17,680 because actually she had a problematic childhood. 185 00:10:18,280 --> 00:10:20,800 Does that mean you want to make money, partner? 186 00:10:20,880 --> 00:10:22,320 Damned! That was the end! 187 00:10:22,400 --> 00:10:23,400 I'm sorry. 188 00:10:24,400 --> 00:10:28,400 Okay, you're on the right track, but that's probably not enough. 189 00:10:28,480 --> 00:10:29,480 Why not? 190 00:10:30,480 --> 00:10:31,920 The algorithm decides. 191 00:10:44,240 --> 00:10:47,440 Think about it. The algorithm is like an impersonator. 192 00:10:48,480 --> 00:10:53,440 People like certain things? He tells us what to bet on. 193 00:10:53,960 --> 00:10:57,120 Teenagers love superpowers? Then everything relies on superpowers! 194 00:10:58,720 --> 00:11:01,240 So we rely on Jesus, the teenage superhero. 195 00:11:01,560 --> 00:11:03,440 Superheroes were popular until recently. 196 00:11:03,800 --> 00:11:05,960 -Not anymore? -No not more. 197 00:11:06,800 --> 00:11:09,760 Imagine when I joined five months ago, 198 00:11:09,840 --> 00:11:12,160 Large families were extremely popular. 199 00:11:12,240 --> 00:11:14,480 Now big families are out! 200 00:11:15,120 --> 00:11:17,000 -And what do you want now? -This is difficult, 201 00:11:17,080 --> 00:11:20,120 but in the last few weeks the trend has been going in one direction. 202 00:11:20,200 --> 00:11:22,680 Something about rebellious youth. 203 00:11:23,360 --> 00:11:25,000 -What does that mean? -An example: 204 00:11:25,120 --> 00:11:28,520 René sent me a story which takes place in the 70s. 205 00:11:28,600 --> 00:11:32,000 The algorithm's answer was very positive. 206 00:11:32,080 --> 00:11:33,520 Let me tell you. 207 00:11:34,040 --> 00:11:35,280 What is it about? 208 00:11:35,360 --> 00:11:37,320 Well… It takes place between Rome and Fiano Romano, 209 00:11:37,400 --> 00:11:40,680 where a few kids decide to... to join an armed struggle. 210 00:11:40,760 --> 00:11:44,040 Everything starts with the older brother from one of these three friends. 211 00:11:44,120 --> 00:11:46,200 He's like their idol. 212 00:11:46,280 --> 00:11:48,800 But Jesus... What does he have to do with all this? 213 00:11:49,800 --> 00:11:52,280 Very good. I already have ideas. He should continue. 214 00:11:52,360 --> 00:11:54,480 -Keep talking. Further. -Should I continue talking? 215 00:11:56,560 --> 00:11:58,240 Please be quiet for a moment. 216 00:11:58,880 --> 00:12:02,280 We form two groups. Servants please about this. 217 00:12:02,920 --> 00:12:05,200 You are not a servant, and you know that exactly. 218 00:12:07,040 --> 00:12:13,560 The guests eat and have fun and talk without making noise. 219 00:12:14,120 --> 00:12:17,080 Forgiveness. Does that mean we should be quiet? 220 00:12:18,160 --> 00:12:19,600 That's easy for us, isn't it? 221 00:12:22,000 --> 00:12:26,240 And the servants have to start from one look worried at a certain point, 222 00:12:26,320 --> 00:12:28,720 because the host says, that the wine is gone. 223 00:12:28,800 --> 00:12:32,360 Here I am. The wine is gone! There is no more wine! 224 00:12:32,440 --> 00:12:36,040 -Is the wine gone? -What kind of wedding is this? 225 00:12:36,120 --> 00:12:39,120 It's a disaster, folks. The wine is out. You are very worried. 226 00:12:39,200 --> 00:12:40,200 That's why you say... 227 00:12:43,600 --> 00:12:46,280 Not all! Not you, not you. Here. Go. 228 00:12:48,160 --> 00:12:50,520 A little more worried. A little more worried. 229 00:12:50,600 --> 00:12:52,040 Hey, not you! 230 00:12:52,440 --> 00:12:56,480 Okay, great, great! That's how you have to do it. Thanks. 231 00:12:56,560 --> 00:12:58,320 Were we good? Yes, right? 232 00:13:01,800 --> 00:13:03,200 Done, my friend. 233 00:13:03,280 --> 00:13:06,240 In the end the protagonist decides to go into armed struggle. 234 00:13:06,320 --> 00:13:07,720 but for sentimental reasons. 235 00:13:12,200 --> 00:13:13,280 What do you say? 236 00:13:13,880 --> 00:13:16,640 We'll write it straight away, but it plays 2,000 years ago in Palestine. 237 00:13:17,120 --> 00:13:19,160 Basically a copy of René's story, 238 00:13:19,240 --> 00:13:21,080 only it takes place 2,000 years earlier. 239 00:13:22,560 --> 00:13:24,480 It's Allison. Do we have the teen story? 240 00:13:24,760 --> 00:13:25,840 -Do we have? -Yes. 241 00:13:25,920 --> 00:13:27,680 -Do we have. -Yes, we have. 242 00:13:28,480 --> 00:13:30,360 Hi Allison, hey. 243 00:13:30,560 --> 00:13:31,960 -Write it down. -Go. 244 00:13:33,280 --> 00:13:37,360 Jesus and Judas were since childhood the best friends, 245 00:13:38,040 --> 00:13:42,840 but Judas' older brother, Johanan, was her idol. 246 00:13:42,920 --> 00:13:43,920 Johanan. 247 00:13:44,000 --> 00:13:45,520 -Johanan with H? -Johanan. 248 00:13:45,720 --> 00:13:47,040 -Johanan. -Johanan. 249 00:13:47,120 --> 00:13:48,400 I think it's called Johanan. 250 00:13:48,480 --> 00:13:49,680 -Johanan, Jo... -I say yes. 251 00:13:49,760 --> 00:13:50,760 Johanan. 252 00:13:50,840 --> 00:13:52,440 -Johanan. -So two H? Why? 253 00:13:54,000 --> 00:13:57,560 René, please don't make a mistake. 254 00:13:57,640 --> 00:14:01,360 My marriage to Corinna based on crazy, wild love. 255 00:14:01,440 --> 00:14:02,480 Sure, of course. 256 00:14:02,560 --> 00:14:05,600 Just think of the thousands of likes that we got 257 00:14:05,680 --> 00:14:08,640 whenever we posted a photo. Our smile... 258 00:14:08,720 --> 00:14:10,920 And then? 259 00:14:11,720 --> 00:14:13,840 The collaboration dragged us down a bit. 260 00:14:13,920 --> 00:14:15,280 Less smiling, huh? 261 00:14:15,760 --> 00:14:19,600 The low point was Genghis Khan, 262 00:14:19,680 --> 00:14:22,160 because something went wrong. 263 00:14:23,120 --> 00:14:25,080 At home she always just sulks. 264 00:14:25,160 --> 00:14:27,160 She just thought about it that she had lost money. 265 00:14:27,720 --> 00:14:29,800 So I ask you with a heavy heart... 266 00:14:30,360 --> 00:14:34,080 The only way to save our love... 267 00:14:35,200 --> 00:14:36,840 ...is to fire them. 268 00:14:38,360 --> 00:14:40,440 Sure, of course. 269 00:14:49,920 --> 00:14:51,440 I know you do all the work. 270 00:14:53,000 --> 00:14:56,680 Have you spoken to anyone in Mumbai? 271 00:14:56,760 --> 00:14:59,960 What? Doesn't matter. If you create a masterpiece with me, 272 00:15:00,040 --> 00:15:01,440 you get a small gift. 273 00:15:02,960 --> 00:15:04,880 So actually I'm engaged. 274 00:15:05,520 --> 00:15:06,520 Forgiveness? 275 00:15:07,800 --> 00:15:11,640 No, I was just thinking about it what happened. 276 00:15:11,720 --> 00:15:12,560 Go Go! 277 00:15:12,800 --> 00:15:14,240 Say the other word I like. 278 00:15:14,320 --> 00:15:16,240 -Technostructure! -Again! 279 00:15:16,960 --> 00:15:18,200 Are you crazy? 280 00:15:18,280 --> 00:15:21,440 By “small gift” I mean money. Cash in an envelope, tax free. 281 00:15:21,520 --> 00:15:24,360 Oh, cash. 282 00:15:25,600 --> 00:15:28,840 Whatever. I'm doing my best. No worries. 283 00:15:28,920 --> 00:15:29,920 Go. 284 00:15:30,840 --> 00:15:35,160 The host appears in this scene and whispers... 285 00:15:35,240 --> 00:15:37,320 Say your text. 286 00:15:37,920 --> 00:15:39,280 The wine is gone. 287 00:15:39,880 --> 00:15:42,120 Very good. Very convincing. Very Palestinian. 288 00:15:42,200 --> 00:15:48,640 And the servants show that they are worried! 289 00:15:50,120 --> 00:15:51,720 A little less. Don't freak out! 290 00:15:51,800 --> 00:15:54,120 Then we pivot to the beautiful Mary, 291 00:15:54,200 --> 00:15:56,960 who has now gotten up, 292 00:15:57,040 --> 00:15:58,600 because she heard that the wine was gone. 293 00:15:58,680 --> 00:16:00,400 She looks at Jesus. 294 00:16:01,880 --> 00:16:03,880 But René, you can see me from behind! 295 00:16:03,960 --> 00:16:05,920 Yes, but in front of a beautiful backdrop. 296 00:16:06,000 --> 00:16:07,160 Thanks. 297 00:16:08,560 --> 00:16:13,600 Jesus answers with a look: "What is it to me, mother?" 298 00:16:13,680 --> 00:16:14,680 Go ahead. 299 00:16:15,720 --> 00:16:19,360 Okay, careful with the gesture. It's a little too modern. 300 00:16:19,480 --> 00:16:20,480 Forgiveness. 301 00:16:22,600 --> 00:16:24,840 Comes. We're ready to shoot. 302 00:16:24,920 --> 00:16:27,000 -Camera off! -Camera is running! 303 00:16:27,080 --> 00:16:29,240 250, shot one, clap, the first. 304 00:16:29,840 --> 00:16:31,600 And action! 305 00:16:31,720 --> 00:16:34,560 Hey, hey, hey. 306 00:16:36,040 --> 00:16:37,600 "The wine is gone." 307 00:16:37,680 --> 00:16:38,920 -No! -What? 308 00:16:39,000 --> 00:16:40,520 Nothing left. 309 00:16:40,600 --> 00:16:41,640 What should we do now? 310 00:16:52,560 --> 00:16:54,680 Cut! Excellent! 311 00:16:54,760 --> 00:16:57,440 René, but I only have Corinna from behind. 312 00:16:57,560 --> 00:17:00,840 Don't worry, we'll do it later a nice close-up. 313 00:17:01,400 --> 00:17:03,520 -Really? -Yes, relax. 314 00:17:04,240 --> 00:17:06,840 Is he stupid? What does he want? Does he know that himself? 315 00:17:06,920 --> 00:17:08,160 I didn't say anything to him. 316 00:17:08,240 --> 00:17:11,080 He is from Matera, very serious, Calvinistic. 317 00:17:11,160 --> 00:17:12,200 He doesn't understand that. 318 00:17:13,680 --> 00:17:16,080 Olé, done. 319 00:17:16,160 --> 00:17:17,800 We're great, aren't we? Went very quickly. 320 00:17:17,880 --> 00:17:19,680 -Less than an hour. -Even less. 321 00:17:19,760 --> 00:17:24,160 And to be completely honest, there is one more thing. 322 00:17:24,480 --> 00:17:25,320 What? 323 00:17:25,400 --> 00:17:29,720 It would be wonderful if all the apostles were not Caucasian. 324 00:17:29,800 --> 00:17:31,280 What are they supposed to look like? 325 00:17:31,360 --> 00:17:33,600 No idea. Just a different ethnicity. 326 00:17:34,080 --> 00:17:35,080 What does this mean? 327 00:17:35,760 --> 00:17:36,600 Korean? 328 00:17:37,680 --> 00:17:40,360 Let's call Vincenzo, René's Bible advisor. 329 00:17:40,440 --> 00:17:43,880 If he thinks it's nonsense, let's stop immediately. 330 00:17:43,960 --> 00:17:48,720 We have the teen story for you written, but enough for now. 331 00:17:51,960 --> 00:17:53,400 -Hey, hello. -Hi, Vincenzo. 332 00:17:53,480 --> 00:17:54,880 Hi Vincenzo! 333 00:17:54,960 --> 00:17:56,120 Do you hear us? 334 00:17:56,200 --> 00:18:00,720 We're told the platform would like to different ethnicities among the apostles. 335 00:18:00,800 --> 00:18:03,880 Completely crazy, right? 336 00:18:03,960 --> 00:18:05,560 Actually not that crazy. 337 00:18:05,640 --> 00:18:07,920 Bible critics think so as good as proven, 338 00:18:08,080 --> 00:18:10,560 that Thomas was actually black. 339 00:18:10,640 --> 00:18:11,920 That sounds good. 340 00:18:12,000 --> 00:18:13,640 Hi Vincenzo. This is Alessandro. 341 00:18:13,720 --> 00:18:14,720 Hello! 342 00:18:14,800 --> 00:18:15,640 Korean apostles? 343 00:18:15,760 --> 00:18:17,200 A Korean. This will be difficult. 344 00:18:17,280 --> 00:18:19,880 But there are clues to a possible Chinese enclave 345 00:18:19,960 --> 00:18:21,160 in Palestine at the time. 346 00:18:21,240 --> 00:18:24,080 Definitely not Korean, but perhaps a Chinese apostle. 347 00:18:24,160 --> 00:18:26,720 The algorithm just prefers Koreans. 348 00:18:26,800 --> 00:18:30,160 The algorithm can do me. 349 00:18:30,560 --> 00:18:33,400 An African and a Chinese. It doesn't get any better. 350 00:18:33,480 --> 00:18:36,800 Thank you, Vincenzo. We'll get an African and a Chinese man. 351 00:18:36,880 --> 00:18:39,160 -Beyond that… Exactly, yes. -Bye. 352 00:18:39,240 --> 00:18:40,960 Bye, thank you. Bye. 353 00:18:41,440 --> 00:18:44,160 Okay, I can help you with the Chinese one. 354 00:18:44,240 --> 00:18:47,120 But we get three times as much for the Chinese apostle. 355 00:18:47,240 --> 00:18:48,080 Good. 356 00:18:49,600 --> 00:18:53,520 Biascica, if you think it's perfect, I think so too. Go. 357 00:18:53,600 --> 00:18:56,520 ASSHOLE 358 00:18:59,200 --> 00:19:01,680 They do it like in "The Little Girl and the captain," right? 359 00:19:03,720 --> 00:19:07,320 Just fuck off and leave us Maestros do our work. 360 00:19:10,440 --> 00:19:11,480 What's going on here? 361 00:19:16,720 --> 00:19:22,560 Corinna, come on now. I'll place you here, 362 00:19:22,640 --> 00:19:25,760 in front of this pretty wall with the palm trees. 363 00:19:25,880 --> 00:19:28,440 Then we will you illuminate wonderfully, 364 00:19:28,520 --> 00:19:32,400 just for the close-up, that we do with this camera, okay? 365 00:19:32,480 --> 00:19:34,360 -OK. -Go. Camera is rolling! 366 00:19:34,760 --> 00:19:37,720 Give me your little fist. 367 00:19:40,800 --> 00:19:42,680 Where is Nuschler? There he is. 368 00:19:43,240 --> 00:19:45,120 Oh, Nuschler. Wide angle. 369 00:19:45,760 --> 00:19:48,720 Great master, wide angle. 370 00:19:54,960 --> 00:19:56,440 It seems as if she is in the afterlife. 371 00:19:56,560 --> 00:19:58,320 Yes, that's too much. Please… 372 00:19:58,840 --> 00:20:02,640 Oh, come on. Who cares? Camera off! 373 00:20:02,960 --> 00:20:03,960 Camera is rolling! 374 00:20:04,600 --> 00:20:07,200 250-2, the first, two cameras. 375 00:20:08,560 --> 00:20:09,840 You are beautiful. 376 00:20:09,920 --> 00:20:11,000 Keep your mouth shut. 377 00:20:11,080 --> 00:20:12,680 And action! 378 00:20:17,800 --> 00:20:21,240 Joshua, there is no more wine. 379 00:20:23,280 --> 00:20:25,440 This wedding is doomed to failure. 380 00:20:26,360 --> 00:20:29,120 Midha turidin miniy ya amy. 381 00:20:30,760 --> 00:20:33,160 Cut! What are you saying, Stanis? 382 00:20:33,240 --> 00:20:36,480 I play my role in Aramaic. I am not negotiating on this point. 383 00:20:37,680 --> 00:20:40,040 I'm begging you. Let's stick with Italian. 384 00:20:40,320 --> 00:20:45,040 There are 2 versions: one in Italian, one in English, none in Aramaic. 385 00:20:45,600 --> 00:20:48,600 Okay, I'll do it in Italian, but with a slight stutter. 386 00:20:48,680 --> 00:20:49,800 Why? 387 00:20:49,880 --> 00:20:51,760 I am an actor. That is my characteristic. 388 00:20:51,920 --> 00:20:58,680 Listen: "Truly, truly, truly." Charismatic stutter. 389 00:20:58,760 --> 00:21:02,800 Stanis, we didn't want each other concentrate on the rhythm? 390 00:21:02,880 --> 00:21:05,960 When you stutter, the rhythm goes completely lost. Do you understand? 391 00:21:06,040 --> 00:21:07,560 Rhythm, of course. 392 00:21:09,080 --> 00:21:11,960 How about it? with a slight eye twitch? 393 00:21:12,040 --> 00:21:13,800 Something like that. A francophone twitch. 394 00:21:17,520 --> 00:21:19,200 Okay, but not all the time. 395 00:21:19,280 --> 00:21:20,720 -No. -Come on now. 396 00:21:20,800 --> 00:21:23,560 René, can we talk about my role? 397 00:21:23,840 --> 00:21:24,840 Oh no. 398 00:21:25,880 --> 00:21:27,960 In any case. Tell me everything. 399 00:21:28,040 --> 00:21:30,240 Maria realized that the guy is some kind of Superman. 400 00:21:30,320 --> 00:21:31,320 She says: "Save the festival. 401 00:21:31,400 --> 00:21:33,640 Find some more wine." Or? 402 00:21:33,800 --> 00:21:34,960 Correct. 403 00:21:35,040 --> 00:21:36,800 Then she makes that “go-go” gesture? 404 00:21:38,400 --> 00:21:41,520 Yes, but stop the gesture. Just do it mentally. 405 00:21:41,720 --> 00:21:43,760 -OK. -OK. We're shooting! 406 00:21:44,640 --> 00:21:48,640 -Camera is running! -250-2, the second, two cameras. 407 00:21:50,480 --> 00:21:52,480 And action! 408 00:21:53,280 --> 00:21:59,800 Joshua, there is no more wine. This Wedding is doomed to failure. 409 00:22:01,240 --> 00:22:03,200 I don't understand what you want, mother. 410 00:22:03,920 --> 00:22:05,080 Suits me. 411 00:22:05,160 --> 00:22:06,840 My hour has not yet struck. 412 00:22:08,360 --> 00:22:11,200 -Joshua… -Mother... 413 00:22:11,280 --> 00:22:15,640 Follow him and do what he says. 414 00:22:15,720 --> 00:22:16,800 The wine is gone. 415 00:22:19,080 --> 00:22:20,080 Follow me. 416 00:22:21,600 --> 00:22:25,720 Stop! Very good! We have it in the box! Well done, Corinna! 417 00:22:26,720 --> 00:22:28,440 What have you done? Corinna is out of focus. 418 00:22:28,680 --> 00:22:30,760 -Duccio told me that. -Very good. 419 00:22:32,800 --> 00:22:33,840 Another shot. 420 00:22:33,920 --> 00:22:35,400 René said we're done! 421 00:22:35,480 --> 00:22:36,960 Ask for another shot. 422 00:22:39,440 --> 00:22:40,680 I want another shot! 423 00:22:40,760 --> 00:22:41,920 -No. -No. 424 00:22:42,000 --> 00:22:43,320 It was perfect, love. 425 00:22:43,400 --> 00:22:44,880 I want another shot! 426 00:22:45,000 --> 00:22:48,320 Corinna, since I've known you, you've never played so well. 427 00:22:48,400 --> 00:22:50,160 You look beautiful! 428 00:22:50,240 --> 00:22:51,920 I liked it, 429 00:22:52,160 --> 00:22:54,040 but if you want, we'll do another one. 430 00:22:54,120 --> 00:22:56,120 -We'll do it again. -We'll do another one. 431 00:22:56,200 --> 00:22:58,360 Perfect, Stanis. Go! 432 00:22:58,440 --> 00:23:01,600 I do the final close-up myself. Go into your trailer and think there. 433 00:23:02,640 --> 00:23:05,360 Do what you want. She's going to screw it up anyway. 434 00:23:07,280 --> 00:23:08,400 Nuschler. 435 00:23:08,480 --> 00:23:09,480 What do you want? 436 00:23:09,560 --> 00:23:10,880 Take away the spotlight! 437 00:23:11,680 --> 00:23:13,080 What does this mean? 438 00:23:13,160 --> 00:23:14,280 What I said. 439 00:23:14,360 --> 00:23:16,760 -Is that okay with Duccio? -Yes, it is. 440 00:23:16,840 --> 00:23:19,960 I'll tell you what to do. 441 00:23:20,600 --> 00:23:22,640 -What a… -What? 442 00:23:23,680 --> 00:23:24,720 …spin! 443 00:23:25,960 --> 00:23:28,800 Great master, turn away. 444 00:23:29,080 --> 00:23:30,080 What? Really? 445 00:23:30,840 --> 00:23:31,840 No idea. 446 00:23:37,760 --> 00:23:39,640 -It was wonderful. -Flap. 447 00:23:41,240 --> 00:23:42,560 This is your moment. 448 00:23:42,680 --> 00:23:44,280 I calculate 13 times 29... 449 00:23:45,440 --> 00:23:46,440 Excuse me? 450 00:23:46,720 --> 00:23:49,440 When I do the math, I become more credible. René taught me. 451 00:23:49,520 --> 00:23:52,480 Times 29 and suddenly I become Maria. For example… 452 00:23:54,800 --> 00:23:56,520 ...this is 94 minus 12. 453 00:23:56,600 --> 00:23:59,080 -Fantastic. -But if I play a comedy... 454 00:24:00,640 --> 00:24:01,760 …six minus five. 455 00:24:01,880 --> 00:24:03,240 -Understood. -Funny, right? 456 00:24:03,360 --> 00:24:06,280 -Stand here. Just as. -Yes. 457 00:24:06,360 --> 00:24:07,880 This is how you get depth. 458 00:24:08,000 --> 00:24:11,320 I put a candle in the background, this emphasizes your face. 459 00:24:11,480 --> 00:24:13,760 Damn, you like money, right? Smartass. 460 00:24:17,080 --> 00:24:19,120 Come on, let's shoot! 461 00:24:19,200 --> 00:24:21,000 -We're shooting! -Camera is running! 462 00:24:21,080 --> 00:24:24,360 -Action! -250-2, the third. 463 00:24:25,240 --> 00:24:27,080 And action! 464 00:24:28,760 --> 00:24:31,400 Joshua, there is no more wine. 465 00:24:32,680 --> 00:24:34,360 I don't understand what you want, mother. 466 00:24:34,440 --> 00:24:36,200 My hour has not yet struck. 467 00:24:37,960 --> 00:24:39,920 -Joshua… -Mother... 468 00:24:40,960 --> 00:24:44,800 Joshua, follow him and do what he says. 469 00:24:47,960 --> 00:24:49,000 Cut! 470 00:24:50,920 --> 00:24:53,760 Well done. 471 00:25:05,000 --> 00:25:07,280 The best shot. Why are we saving this for the end? 472 00:25:07,360 --> 00:25:10,160 I have a good connection found these Calabrian extras. 473 00:25:16,360 --> 00:25:21,240 I hope I wasn't too... What's your name? the word? Research the photo. 474 00:25:21,520 --> 00:25:23,080 Yes, that was a little bold. 475 00:25:23,160 --> 00:25:26,040 -By the way, I'm Angelo. -Lalla. 476 00:25:26,120 --> 00:25:29,400 -Bye, Lalla. -Day of filming over? 477 00:25:29,480 --> 00:25:31,680 We have to solve the behind-the-scenes problem. 478 00:25:31,760 --> 00:25:33,440 -Ask Nuschler about the matter. -OK. 479 00:25:34,800 --> 00:25:37,400 Joshua, there is no more wine. 480 00:25:39,920 --> 00:25:41,520 Unbelievable. 481 00:25:43,240 --> 00:25:44,800 Corinna works. 482 00:25:49,400 --> 00:25:50,520 Hello? 483 00:25:50,600 --> 00:25:52,160 Come to the writers' office in 30 minutes. 484 00:25:52,240 --> 00:25:54,520 A phone call with Allison. Come as soon as possible. 485 00:25:54,600 --> 00:25:56,880 Don't tell Stanis and Corinna anything. Allison doesn't want her there. 486 00:25:58,240 --> 00:25:59,720 What does that mean? In 30 minutes? 487 00:26:02,520 --> 00:26:05,160 you know Stanis is waiting for you at the meeting, 488 00:26:05,240 --> 00:26:06,920 about Corinna to miss the final blow. 489 00:26:07,000 --> 00:26:10,200 It does not work. I have a phone call with Allison and the authors. 490 00:26:10,960 --> 00:26:12,680 So do I warn Stanis and Corinna? 491 00:26:12,760 --> 00:26:15,280 No, he said, Allison doesn't want them there. 492 00:26:15,840 --> 00:26:17,400 Please find an excuse. 493 00:26:19,320 --> 00:26:20,480 The boiler? 494 00:26:20,960 --> 00:26:22,640 That would be the fourth time. 495 00:26:22,720 --> 00:26:23,720 Always works. 496 00:26:29,720 --> 00:26:31,320 You want to get rid of me, right? 497 00:26:32,120 --> 00:26:34,760 What are you thinking, my bunny? 498 00:26:38,280 --> 00:26:43,720 My camera was stolen. My whole life is on it. 499 00:26:43,800 --> 00:26:47,280 I'm sure on Monday you will get your life back. 500 00:26:48,880 --> 00:26:50,160 I'm calling the police. 501 00:26:50,240 --> 00:26:54,800 Again: I'm sure on Monday you will get your life back. 502 00:26:54,880 --> 00:26:57,680 So you don't have to call the police. 503 00:27:06,000 --> 00:27:08,000 Sorry. It hurts my heart. 504 00:27:08,080 --> 00:27:11,480 I liked everything today, but my boiler is broken 505 00:27:11,560 --> 00:27:13,160 and I have to go immediately. 506 00:27:14,200 --> 00:27:17,520 What did you think of Corinna? 507 00:27:20,880 --> 00:27:23,840 Stanis, I have to think about that. Let's talk about it on Monday. 508 00:27:25,000 --> 00:27:26,680 The boiler in your home is broken? 509 00:27:27,840 --> 00:27:29,720 Yes a little. I'm sorry. 510 00:27:32,640 --> 00:27:35,360 You really are the stupidest of them all. 511 00:27:35,920 --> 00:27:37,560 They have without us a meeting with Allison, 512 00:27:37,640 --> 00:27:39,080 while we're arguing here. 513 00:27:43,320 --> 00:27:44,320 Come in, René. 514 00:27:44,400 --> 00:27:45,400 Ciao. 515 00:27:45,480 --> 00:27:47,680 I have to tell you something. 516 00:27:48,200 --> 00:27:52,200 The teen story that she is came up with… How should I say? 517 00:27:52,280 --> 00:27:56,120 It contains a few elements yours “The 70s”. 518 00:27:56,200 --> 00:27:58,800 -What? -The phone call is about to start. 519 00:27:59,560 --> 00:28:00,920 -Hi! -Hi. 520 00:28:01,000 --> 00:28:02,200 -Hi, Allison! -Hi, Allison! 521 00:28:02,280 --> 00:28:05,640 Hi! Get to the point, folks. tell me the teen story! 522 00:28:05,720 --> 00:28:06,840 Get to the point. 523 00:28:06,920 --> 00:28:09,440 Okay, I'll tell it in Italian. 524 00:28:11,480 --> 00:28:17,320 Jesus and Judas were children best friends and in love with Magdalena. 525 00:28:17,920 --> 00:28:24,920 But her true idol is Judas' elder Brother, Johanan, the typical rebel. 526 00:28:25,840 --> 00:28:30,080 But Johanan is betrayed and killed by the Romans. 527 00:28:30,160 --> 00:28:36,160 The two boys have to decide whether they go into armed struggle. 528 00:28:39,960 --> 00:28:43,200 I feel the story. It's a good teen story, 529 00:28:43,280 --> 00:28:45,960 but I hear that a loud knock on the door? 530 00:28:48,040 --> 00:28:49,040 I'll do that. 531 00:28:51,040 --> 00:28:53,440 Maybe the pizza. You know. 532 00:28:55,280 --> 00:28:56,560 Out of the way! 533 00:28:59,680 --> 00:29:02,680 Allison! We are there! How are you doing? 534 00:29:02,800 --> 00:29:03,760 Hi, Stanis! Hi! 535 00:29:03,840 --> 00:29:06,560 Have you seen Corinna's scene? Because we... 536 00:29:06,640 --> 00:29:08,960 We want to help her as best we can, but... 537 00:29:09,320 --> 00:29:10,360 What does this mean? 538 00:29:10,440 --> 00:29:11,960 That you were great. 539 00:29:12,040 --> 00:29:13,920 I have seen everything. 540 00:29:14,000 --> 00:29:15,080 I love it! 541 00:29:15,440 --> 00:29:16,800 What do you mean by that? 542 00:29:17,520 --> 00:29:19,600 I'll call again. 543 00:29:19,840 --> 00:29:22,520 Send me the story and I read it immediately. 544 00:29:22,600 --> 00:29:25,640 Sent. And the English version is attached. 545 00:29:25,720 --> 00:29:26,840 "Judas, the Jesus... 546 00:29:27,000 --> 00:29:29,240 But the armed struggle appeals to boys much more?" 547 00:29:29,520 --> 00:29:32,840 But that is absolute theft. You are the armed gang! 548 00:29:32,920 --> 00:29:35,680 René, they would have called you “The 70s” never let it be done. 549 00:29:36,280 --> 00:29:37,720 This way you can do it. 550 00:29:37,800 --> 00:29:39,000 A really shitty story. 551 00:29:39,080 --> 00:29:41,760 The bartender at the bar in my house could tell a better one. 552 00:29:41,840 --> 00:29:42,840 Where is this bar? 553 00:29:42,920 --> 00:29:45,040 Another call. She's already read it. 554 00:29:54,600 --> 00:29:56,440 You're in trouble, my friends. 555 00:29:56,720 --> 00:29:58,000 That's not good. 556 00:29:58,080 --> 00:29:59,040 This is bad. 557 00:29:59,160 --> 00:30:00,160 What is she doing there? 558 00:30:00,240 --> 00:30:03,360 Ale, read my message. 559 00:30:09,320 --> 00:30:11,440 We get to do the first three episodes. 560 00:30:11,520 --> 00:30:13,360 We get to do the first three episodes? 561 00:30:13,440 --> 00:30:15,280 We may! 562 00:30:15,360 --> 00:30:16,680 -Thanks! -Yes. 563 00:30:17,240 --> 00:30:19,360 You're in trouble, my friends. 564 00:30:19,440 --> 00:30:22,560 -Allison... -Hi, René, I love your work! 565 00:30:23,120 --> 00:30:25,520 Thanks! Thank you from the bottom of my heart! 566 00:30:25,600 --> 00:30:26,960 Dai! Dai! Dai! 567 00:30:29,280 --> 00:30:32,520 Okay. Until next time. 568 00:30:38,760 --> 00:30:40,800 What happened? 569 00:30:40,880 --> 00:30:42,520 In the end she seemed a bit dismissive. 570 00:30:42,600 --> 00:30:44,400 -Really? -Don't surprise me. 571 00:30:44,480 --> 00:30:46,080 You said, "Dai, dai, dai." 572 00:30:46,160 --> 00:30:47,200 And? 573 00:30:47,280 --> 00:30:50,360 In their language it sounds like "Die, die, die." 574 00:30:51,680 --> 00:30:53,720 -What the hell, René? -Rene! 575 00:30:53,800 --> 00:30:58,880 I know, I know. Such a crap. Damned. 576 00:31:03,200 --> 00:31:05,680 Unfortunately it didn't work, Sergio. 577 00:31:05,760 --> 00:31:09,480 The technology from "The Little Girl and the Captain" 578 00:31:09,560 --> 00:31:10,840 didn't work. 579 00:31:10,920 --> 00:31:14,720 It only worked once, viz in "The Little Girl and the Captain." 580 00:31:15,960 --> 00:31:17,840 But she's good, right? 581 00:31:17,960 --> 00:31:19,640 Very good. 582 00:31:19,720 --> 00:31:21,280 We made it. 583 00:31:23,920 --> 00:31:25,960 We're working with the Americans, right? 584 00:31:29,320 --> 00:31:30,680 -Great, Sergio! -Yes. 585 00:32:25,480 --> 00:32:27,480 Subtitles by: Claudia Hager-Smolka